Patchwork № 880
Twelve colorways scrambled into a deliberate mosaic. Each box ships a different draw — no two installs read alike. The pattern that put us in Architectural Digest.
Five generations of artisans pressing pigment, marble dust and Portland cement into floors that outlive the rooms they're laid in. In stock in Houston, made-to-order in León. The same hydraulic press your great-grandmother walked on.
Jane Kim pulled a single deep green from our Vert Foncé colorway and let it carry an entire kitchen. Eight-inch hexagons, two-tone grout, twelve weeks from spec to install. The photograph is six months old; the floor is older than the room.
Twelve colorways scrambled into a deliberate mosaic. Each box ships a different draw — no two installs read alike. The pattern that put us in Architectural Digest.
Moroccan arabesque, bone white. The understated workhorse for primary baths.
Scallop overlap, charcoal. Most-specified for pool decks and wet rooms.
Andalusian eight-point in deep black on bone. Hospitality lobbies, last cycle.
Inlaid brass on terracotta. Pressed to spec for restaurants and members' bars.
Forty SKUs warehoused in Houston, drop-shipped to your yard within 72 hours. Volume rebate from pallet two, co-op marketing assets available.
Sealed sample boards, BIM blocks, CSI 09 30 33 cut sheets, and a project manager who answers the phone before noon Central.
Trade-only pricing from the first square foot. A studio team helps draft custom colorways, send wet samples and lay out the install grid.
"We pulled a single 4×4 green from the OMT archive and let it climb the entire fireplace wall. The studio matched the colorway in eleven days. The room reads two centuries old. It's nine months old." — Project architect, residential install · Austin, Texas, 2025
Pacific Heights residence · Photograph: A. Reyes
Marble dust, white Portland and mineral pigment are sifted and mixed by hand in the morning. No two batches read identically — that's the point.
01The pattern is divided by a brass partition; the colorist pipettes pigment into each cell. One ton of hydraulic pressure compresses the face.
02Twenty-eight days of slow cure. Wet, dry, wet again. The face surfaces as a 3mm layer of polished pigment, not glaze.
03Each tile is hand-graded A/B/C. A-grade ships to spec, B-grade to in-stock, C-grade re-enters the press.
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